Assistant Professor, History of Art, Design and Visual Culture (HADVC)
Office: 3-85 Fine Arts Building
Areas of Teaching and Research
Visual and Performance Studies; Psychoanalysis; Literary, Feminist and Queer Theory; Gender and Sexuality; Radical and Critical Pedagogy; Feminist Art; New Genres; Intervention; Performance and Action Art; Art as Social Practice; Practice-Led Research and Research-Creation
Natalie Loveless with Donna Haraway, keynote speaker for the 2014 'Think Tank', "Knowings and Knots: Methodologies + Ecologies in Research Creation."
PhD (History of Consciousness/History of Art and Visual Culture), University of California, Santa Cruz, 2010; MFA (Interdisciplinary Studio/Performance Art), School of the Museum of Fine Arts, Boston, 2004; MA (Contemporary Art History and Theory), Tufts University, 2004
Natalie specializes in feminist and performance art history, art as social practice and artistic research methodologies (research-creation). She has lectured and written extensively on research-creation as a critical intervention in the contemporary North American academy and has worked to strengthen research-creation cultures at the University of Alberta as director of the Research-Creation and Social Justice CoLABoratory (www.researchcreation.ca), a unit that brings together faculty from Arts, Education, Native Studies, and Physical Education and Recreation, funded by the Kule Institute for Advanced Study (KIAS). She recently completed a book, How to Make Art at the End of the World: A Manifesto for Research-Creation (forthcoming with Duke University Press) and her new project, Sensing the Anthropocene: Attunement in an Age of Urgency, asks how different performance-based modalities, such as deep listening, soundwalking, or durational performance, might attune us differently within what is contestedly called the Anthropocene today.
For more information on recent and current projects see:
View full curriculum vitae.