Anna Gural-Migdal is a Professor in the Department of Modern Languages and Cultural Studies at the University of Alberta, where she teaches French Literature and Cinema. Prior to this, she was Assistant Professor in the Department of French Studies at York University (Toronto, Canada) and Lecturer in the Département de littératures et de langues du monde at the Université de Montréal.
A renowned international specialist in Émile Zola and worldwide Naturalism, Gural-Migdal conducts research in 19th-century French literature, semiotics, literary theory, and film theory. Her research underscores the value of interdisciplinary studies, particularly the relationship between literature and cinema. She speaks five languages fluently.
Gural-Migdal is the President of the Association internationale Zola et Naturalisme (AIZEN) and the Editor of the International Review, Excavatio (International Review for Multidisciplinary Approaches and Comparative Studies related to Emile Zola and Naturalism around the World).
Born in Fontainebleau, France, Gural-Migdal has studied at the Université de Paris IV (France) and the Université de Montréal (Canada). In 1991, she received her Ph.D. from the Department of French Studies at the Université de Montréal. Her thesis, entitled "Fonction et Fonctionnement de la métaphore dans Le Ventre de Paris d’Émile Zola," was awarded a Mention Très Bien by the Jury.
Gural-Migdal has received a number of grants, fellowships, and distinctions, including SSHRC and Heritage Canada grants, Harriet Winspear-Sheila Watson Fellowship, Killam Research Fund, SAS Research and Conference grants from the University of Alberta, Research Grant from York University, and Bourse d'excellence from Université de Montréal. She also received a grant from the Italian government and the Università di Urbino (Italy) to continue her studies in Semiotics. In July 2013, she was knighted in the Order of the Academic Palms by France’s Minister of Education.
Gural-Migdal has published more than a hundred articles on Zola, Huysmans, Mirbeau, Artaud, Duras, francophone literature of Quebec and the Maghreb, popular culture, in addition to Italian, French, and Canadian cinema. Her book Le Cinéma de Paul Tana. Parcours critiques (in coll. with Filippo Salvatore), was published in 1997 (Montréal: Editions Balzac). She is the editor of a collection of essays entitled L'écriture du féminin chez Zola et dans la fiction naturaliste / Writing the Feminine in Zola and Naturalist Fiction (Berne: Peter Lang, 2003; 2nd ed. 2004). With Robert Singer, she co-edited a collection of essays entitled Zola and Film: Essays in the Art of Adaptation, with a Foreword by Brigitte Émile-Zola, which has come out with MacFarland (2005), in New York.
In 2006, she completed with Carolyn Snipes-Hoyt the book Zola et le naturalisme en Europe et aux Amériques: généricité, intertextualité et influences published by Edwin Mellen Press. Her most recent work is a monograph entitled L’Écrit-Écran des Rougon-Macquart. Conceptions iconiques et filmiques du roman chez Zola (Presses Universitaires du Septentrion, 2012). In September 2013, a book entitled Re-Reading Zola and Worldwide Naturalism was released in honour of her work and for sustaining the dynamic international research group, AIZEN, for nearly 20 years. She is completing a book titled Naturalisme et horreur dans la fiction d'Octave Mirbeau, to be published in France.