Sound as a Sculptural Material: Scott Smallwood in Conversation on "SSH: The Podcast"
Music Department Chair Scott Smallwood speaks with "SSH: The Podcast" about his research and the Sound Studies Institute.
Music Department Chair Scott Smallwood speaks with "SSH: The Podcast" about his research and the Sound Studies Institute.
An accomplished vocalist and oboist, Wiktoria Jurkiewicz talks about her time in the Department of Music and shares the journey that has culminated in her Bachelor of Music (BMus) degree.
One of the University of Alberta’s most recognizable spaces is about to begin an exciting new chapter.
Professor John Tessier has been nominated for a 2026 Juno Award in the category of Classical Album of the Year.
As a wind band conductor and clarinetist, Meijun Chen bridges cultures through the power of music.
In Celebrating the Department of Music’s 60th anniversary, Department Chair William Street describes a tenacious community of musicians who are working to create a vibrant future for classical music.
CBC Music released its '30 under 30' classical musicians list today and one of the musicians on the list calls Edmonton home. Meijun Chen is a clarinetist and conductor, who’s highly active in the Canadian music scene.
Conductor and clarinettist Meijun Chen (DMus, Nov. 2025) has been named to CBC Music's annual classical "30 under 30" list, celebrating the achievements of Canada's emerging classical musicians.
Music PhD student Simone Willmann has received the prestigious George Proctor Prize for the best graduate student paper at the Canadian University Music Society (MusCan) Annual Conference 2025.
Department of Music professor William Northlich (performing as BlipVert) has been awarded Second Prize in the 2024 Musicworks Electronic Music Competition for "Topaz 0.3nyV".
Scott Smallwood shares “The Way In”, a computer game that uses tracks recorded in a giant water tank to create an atmospheric experience for players.
In his new book, "Music in Orbit: Satellite Radio in the Streaming Space Age", Brian Fauteux explores how, well before subscriptions became the norm for streaming media, satellite radio companies Sirius Satellite Radio and XM Radio convinced radio listeners to become radio subscribers at the turn of the new millennium.